Another list

Ha ha ha       and HA!
That's my response. 

Indignation 
and a sarcastic laugh! 

Come! Lets write a poem 
the New Yorker might run. 

Something indistinct. 
A string of 
non sequitors 
and blurry
            contrivances
stilted 
                and      
        
          exhausting 

and opaque.

Just 
another 
list 
of 
words--
musket                 balls
carbolic       soap
and a     good 
old               Wych 
elm. 

Jeez. 

No narrative EVER kicks in. 

And another thing:
Blah blah blah. 

Really, blank stares.
That's is what these poems do
arouse in me.  

Am I to blame? 

n o. N   O.

I'm just the 
reflecting pool. 
#

The leap

I am not in the photo with the kids 

on that colossal rock we call a dinosaur egg,

in that flat grassy infinity behind our house. 

Yet the photo is still in me 

even though not much happens on that egg 

while we wait for my father

to come back from Korea. 

Only endless summer picnics 

of red Kool-aid and boloney sandwiches. 

The State Fair blows to kingdom come out there 

and my idea of a great time is born.

My brother calls every man he sees daddy

and then one day a stranger stands in our door.

Slips off the brown Army garrison cap, scans 

four kids sitting on the sofa for inspection.

I hope you've been behaving yourselves, 

that's all the stranger says before he holds 

out his arms to his wife, rests uncertain lips 

on her more uncertain ones. 

My mother is the only person in the room

who recognizes his face.

But not even she knows yet 
the leap from the window has begun.

Lime Green

It is a bleak winter night, moonless, starless, fog engulfed, 

an all embracing darkness

except the building my mother has just died in

holds fast to its lime green stain and every window 

clasps a yoke of yellow light. 

The bag they bring is black, a bleak gray scar 

runs down it. My mother, packed up like a suit.

It lifts my feet from the ground, the hair off my skin.

And then the zipper hums up the track, up, up

to her half-open eyes, her slack jaw already 

packed, then a click and a buzz and the suit’s ready

to go, to go where? 

Onto a gurney clattering to the back of a van  

waiting on the asphalt where I watch like a tree 

with its bark burned off. 

Beyond the door, a chamber of a deeper black 

than the one outside. 

This is my most unforgettable night, 

the most howling of all nights. 
Not knowing what comes next, 

no God to turn to.
My mother hurtles through the blackness
of infinity. 

Animals

Every day sees more evidence against immortality. 

That we are no different from elephants, returning again

and again, like they, to the bodies of our dead friends, 

to a dead baby's bones. 

Love and devotion do not stand us apart.

The same engines drive our hairy legs to water and meadows, 

over boundaries, for food, for drink, for arousal, 

for battles between strong and stronger. 

But what elephant would leave this message I saw today 

inscribed on a wooden bench over San Leandro Bay?

See you in paradise, Martin. 

And what elephant would return home to write about it?

and then think all night of great glimmering galaxies? 

In the last hour

In that last hour before our ship docks in New York, 
I wait for that boy to say goodbye.
Surely he will search every deck for me.
Will draw me out of this reverie about last night
in the ballroom where his famous mother 
sang in her gleaming gown
and the boy held my hand and stared at me as if 
I'd just risen from the dead, and not only then 
but the day before too, he gazed open mouthed. 
Wasn't that the sign of love so clear, so true as a fog horn?
What a muffin of a thought, larded with hope,
grand with illusions, with what zest
but all of it in danger here in the last hour 
when he should be pressing his address into my hand.
Yet there's not a sign of him.
Only 16 and already exhausted by love.

They meant well

In my bedroom, we face each other, 

me slumped on my twin, my father  

upright on my sister’s bed. 

He has closed the door behind him. 

We are alone. For once he is not glaring.

He is staring--how queer to be so eyeballed 

by him, to be so carefully surveyed,

to be waiting for me to speak, to be all ears. 

I am sobbing, my scalp throbs where my mother 

tore away hair; she, discomposed, fulminating, fears 

I might have copulated. 

My father, in uniform, in the soft voice of a man 
handing me flowers, says:

Give me the soldier’s name.

He is leaning toward me, he is clasping his hands, 

he is staring, his eyes narrow, he takes me in.

I only know his first name, I say.

My father tips one ear up as if he has just heard 

an odd bird call, and then he clears his throat 

and he goes. 

My father was such an amateur.

Cleaning up

I step into the house my mother was carried out of 

but expected to return to in a day or so

(after all, it was only a fall in this hallway 

that made mosaic of her leg).

I can't explain how I sense what I know can't be true

that there are others here moving around me 

gently as jelly fish,

but not confined to any space, 

being supernal.

Though it's already noon, all the rooms 

have the feel of first morning light, 

when dawn lines the edges of the visible, 

stepping hushed out of the invisible, 

a parallel world ready to appear, 

the realm I once knew at St Joseph's, 

the realm of blood miracles and incorruptible bodies.

Walking through her house, I feel her eyes 

on my back. She is curious: what of hers 

will I take home, which belongings will be let go,

her motive being to understand what I love about her. 

I command my eyes to take their sweet time, 

to dwell on her dolls and her florentine hat 

with equal ardor 

so as not to insult my mother any further 

by rejecting her possessions.