Idealist

It’s a joyful convocation, the one I dream of—

a glimmering jubilee where jolly friends and family 

clasp hands around an altar all aglow with light and silver.

All are clapping, praising, toasting

laughing and embracing, spinning 

delicious tales that kindle cheering up and down the rows.

Steaming dishes spiced and tinted as prescribed by generations

hurry down the table rousing awe and clamor as the children 

suck on fruity brews and their elders swig the beer and wine—

spiking fancies all the more.

Not a soul declines to linger after every belly has been stuffed

to remember one more wise or zesty story, swallow one more spoon

of Harvest Torte—so delighted and so thankful seems each and every one

for this communion.

And when ochre shadows finally flush the hearth,

when burning timber snaps and glistening candles drip,

my old yearnings all have faded. I am happy here just being 

knowing time is melting, melting with the whipped cream on the torte.

Pride

How old am I now?

My mother asks, her eyes do not open 

but she is awake under the lids.

Almost 79, I say. 

Soon you’ll be 79.

That’s enough. I’ve lived long enough.

Her voice bears the tone  

of one who’s just been told 

the fine coat on her arm

is not on sale, 

she must pay full price.

The tone of All right. I’ll take it.

She will not shame herself 

by asking for more or

making a scene 

when the policy 

seems so firm, 

so carved in stone.

My mother does all the talking

As I am growing up, my mother does all the talking.

She talks and talks and talks about the war. 

About the sirens and the bombs and mothers fleeing.

About children crawling out of hell and screaming. 

About the sick and old gone lost with hair on fire.

About the smell of skin and how it smolders.

About feeling crushed too tight to kneel to pray.

Nothing takes her mind off what she’s seen.

And so she must do all the talking 

and all I do is listen.

Poetry Workshop

The lead poet says, write about autumn rain now.

I can’t think about autumn rain 
in this bone-dry room,

without air or breeze, 
roasting with poet bodies.

Ok. Wait.

I’m thinking of autumn rain. 

It’s the swelling scents and tastes 
of a rainy autumn day at
Lake Chabot that I so love. 

It's inhaling the wetness,
the taste on the tongue 

of soaked eucalyptus and pine, 

of drenched concrete

and soggy scat

and drowned leaves. 

And funny how noisy splashing geese 

make rain feel wetter, kinder 

and in this showery mist life itself

feels more real, more personal.

My Living Room, Castro Valley

It is my favorite room, 

the biggest living room
I've ever had.

I walk it end to end, 

let my hand slide down the stone hearth, finger

the artful molding, 
pose before the grand windows. 

My father pushes a chair to the windows. 

For a whole day he eyes the hills 
yellow as lions
and the Bay polished as steel, 

and the etched skyline
of San Francisco, 

and left and right the bridges--

silver threads curling across the water--

and through the cloak of fog
a sword of light 
pierces the heart of Treasure Island.

He is dying and he knows it.

But he wants to buy my house.

Their Last Dinner

She wears a necklace of pearl onions

to the Bon Home Cafe

where he waits over steamed mussels, 

intensely green spinach,

and roasted pork belly.

She kisses his cheek, 

notes a scent of beef heart tartar, 

kisses him again--on his mouth, 

burning with jalapeno from,

she wonders, a duck carnitas taco?

Or crispy lamb’s tongue?

A pinot noir sits on the table,

two crystal glasses meet in the air,

the wine slides down their throats

like a cooled down rump pudding.

For you, darling, the pomegranet glazed quail? 

No, no, she asserts tartly.

The Brazilian lobster tail. 

It costs more.

Why not? He smiles wrly. 

It’s our last date.

I’ll toast to that, the tart dissolving

from her key lime voice.

Waiter! He calls.

A melon liquor as cold as this woman’s heart!

Better cold than pickled and twice-cooked! 

she retorts with a mix of raw honey 

And Korean mustard.

Ah, here they are, he smiles.

Espresso-soaked lady fingers dipped in rum.

Give me some, she demands.

He reaches between the butter

and the orange sugar biscuits, 

takes her lance-shaped fingers 

in his hands and licks them, 

One ladyfinger at a time.

Her blood thickens like creme fraiche,

her body glistens like half pears 

sunk in pools of warm bourbon.

Can we dine from time to time? he asks

with a breath of garlic 

on their walk to her car. 

No, she hisses. I’ve had enough 

of your bevy of warm beef and creamy coleslaw, 

your wild mushrooms and Ports, 

your tastings, your chilled bottles.

So be it, darling, 

his voice dripping, like butter

From skewered shrimp in lemon pepper.

She drives away vexed their hunger 

could so quickly be sated and vows

from now on to avoid cattle of any kind.

Bravo

There comes a time in the ring when the bull can’t flee

Where the bull feels safe and the matador doesn’t

Where the bull is sure and the matador isn’t

Where silence is the bull’s last refuge

And the matador’s too

When it’s time to charge if you’re the bull

And time to wave the red if you’re the man

Both lives proceed from here

Bravo